crib in a crack hood

writing, drawing, and life in a crack hood
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About Barbara Bell

Barbara Bell is the author of Stacking in Rivertown and writer, co-director, co-producer, and co-editor of the feature length independent documentaryGraphic Sexual Horror. Click here for more information.
Through the Wall
Jan15

Through the Wall

by Barbara on January 15th, 2012 at 1:11 pm
Posted In: Barb's world - the terrain, Crib in a Crack Hood, Red's world - discovering the map, The Dangers

I started cribinacrackhood because my friend Red lives in a crack hood. We took footage of burnt out houses, created a map of whores, gangs, innocent bystanders, and just another drug-related crime (that’s all on the cribinacrackhood pages). But then it became evident that crack hoods are everywhere, especially inside every human heart. Horrible things happen in crack hoods, but so do fantastic things, because in the Crack hood, the furnace is hot, burning away all the impurities. The Crack Hood is a crucible. Why? Because of love. Why do you think people smoke crack in the first place? LOVE. It’s more dangerous than all the crack on the planet. And you never ever get free of love. It’s a serial killer. A mass murderer. The only way out? Through the black tunnel, the bright white. Through the orchid doused in nectar and fumbling through pollen – you bumbling bee.

An Excerpt from my unpublished Vampire novel, Feeders:

Leah acquired my heart in the manner of a hornbill. She placed the orchid upon my tongue a petal at a time, showing me the ingenious devices the orchid employed in acquiring and dispersing pollen through the aid of a bee.

“Here is the nectar Luce.” She tore open the column, a specialized petal, to reveal the nectar sack. “Taste.” She touched it to my tongue then pulled it away.

I struggled to catch it in my teeth. Leah rubbed it against my cheek. At that point, she had even secured my head. I couldn’t turn to eat it. Leah was starving me.

“This is where he enters,” she said, “That horny male bee. He wants to fuck. He wants to eat. But he gets all drunk and fumbly and can’t get back out the way he came.” She watched my eyes fall upon the fruit she had placed on the table next to her.

“You’re very hungry aren’t you Luce?”

“Yes,” I said.

“Yes what?”

“Yes ma’am.”

She smiled.

“And this tunnel. Do you see it?” She held it to my face. “This is where the pollen lies. The orchid forces him to go there. He’s sticky and drunk and gets pollen all over himself.” She laid it against my lips. I opened and she placed it upon my tongue.

As I chewed and swallowed her small gift of food, she kissed me on my forehead.

“I am the orchid Luce. You are the bee. Don’t forget that. I’m always soaking you in nectar and dousing you with pollen. You will always follow the path that I choose.”

This next excerpt I think I may have posted before on this blog, from my most recent novel, Line of Battle:

It was an exceptional period of her life, filled with all those screams, the sheer mass of bodies, the need to honor the dead, and the impact of so much burial upon the eyes, the chest, the fingers, and the arms themselves. And how, when you’ve ascertained through subtle clues (in spite of the handcuffs and the blindfold) that the next session of torture is about to begin, a magnificent array of bright points sprays into your face and the backdrop of your heart. And you are escorted by your torturers through the field of battle to the line of battle that sways first one direction, then the other. And there at the spot where the fighting is most fierce, that is where you find the body of Kurzan hanging in the forest with a single bright hole in his forehead. And having been forced to go this far, you climb the long climb that is the length of Kurzan’s legs and thighs. You scrabble and claw and after quite a lot of disturbing sounds of battle, you reach the central flower in his forehead where the mining stake had been used to pry open a door. And crawling blind through the brightness of the flower, you learn how you only guessed at life before, viewing all life as though through binoculars.

Even as a child, she never wanted a life well-fed, a life of taffeta and wine and ice. She wanted life dirty. To live a truth, she thought, a simple curve that life itself demands of you, is impossible. You hope to find that wedge of unfiltered light, not golden (or perhaps only faintly so), and not lily-like in its hue. She saw the light many times while walking farther and farther in the special hut whose name meant fresh, new. The old man never let the fire go out. And Mars lay naked and warm, floating in milk, in the creamy skin of a woman who carried Mars back and forth across the great ocean. A person introduced and known to her quite simply, as the Envoy. A simple revelation, over and over, of something flawless. And Mars had been there, in its passing.

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TurnonLightsRedQueen
Dec01

Turn On the Lights Dam Square Amsterdam

by Barbara on December 1st, 2011 at 4:08 pm
Posted In: Barb's world - the terrain

Towering above us on stilts in marvelous, fetishy costumes, queens and dragons played out some ancient story of rebirth. The dragons, larger-than-life dinosaur puppets, ran us ragged as we jumped out of their paths. Inquisitor-garbed grips opened paths through the throng with flares, sweeping them back and forth like we’d accidentally fallen into a pagan ritual of steams, smokes, and fires.

But that was our second night in Amsterdam. Our first day was a quick intro to the crazy traffic mess – trams, cars, motor scooters (the worst), pedestrians, and bicycles all vie for space on the narrow streets. Bicyclists predominate, hundreds of them all over the place. Women wear heels, skirts, and jackets as they ride their bikes into work. Bicycles have all sorts of baskets, boxes, trunks, and home-made gadgets attached every which way in order to carry home the goods, or say, to carry around five little dogs who sit in their box like it’s the most normal thing in the world.

And of course YESSS to all of you pervs out there, we walked through the red light district the first day. Nothing all that exciting, I have to say, but then, it’s not really my thing. I smelled Ganja everywhere, even throughout the “9’s” the fashionable shopping district where one guy created a bicycle disaster by accidentally knocking over a couple bikes, which then started a domino affect, creating mayhem in the ad hoc bike parking scheme. Oh, and by the way, all you rednecks, the fashion district has a Carhart store.

Of the museums, I hit the Van Gogh Museum. Seeing his paintings rather than studying them in a book, I saw how his painting style communicates through brushstrokes as much or more than through content. At the Rijk’s Museum, Rembrandts and Vermeers hang on the walls. I fell in love with Vermeer, especially, “The Milkmaid,” or De melkmeid.

milkmeid

Vermeer The Milkmaid

Here is a detail of the painting. You can see the small dots he used to paint the bread. The entire painting, lit with natural light as it falls through the window, has a 3-D appearance. Vermeer added a touch of blue along the rim of the bowl, reflecting the cobalt blue of the woman’s skirt.

Vermeer left me breathless. I had to return to the painting several times. It seemed as if he had opened a window, and if I held very still, I could see a long distance.

The most exciting hour of our trip came about when we happened upon a “holiday show” as it was explained to me. I was cold and grumpy and was not interested in participating in that peculiar form of dementia that in US culture passes for a “holiday show.”

Turn On the Lights in Amsterdam was NOT THAT. A dark, moody soundtrack began. Then on the far end of Dam Square from us, smoke rose up. Soon, stalking about on stilts, fantastical and strange, the Snow Queen, her nemesis dressed in black, and perhaps the Devil herself dressed in red and perched on some Boschian cart driven by a human hamster, all vied for power. Dragons coursed back and forth through the crowd, where we all held our phones in the air, grabbing pictures on the run as we pushed our way out of their paths.

3 grips with flares

Music wailed, pounded, fezzed and ziggered. After the Snow Queen was devoured by dragons, a new incarnation singing and dressed in white rose before us, hoisted into the air by a helium balloon. blown about by the breeze. The entire spectacle ended with fireworks. I found myself feeling warm and fuzzy toward Amsterdammers for catching me off guard and keeping me in thrall well after the theatrics were over. Many, many thanks to the street theater troupe, whoever they were, Ellen Ten Damme, and De Bijenkorf for presenting it.

So take THIS Santa Claus (http://www.youtube.com/watch?NR=1&feature=endscreen&v=seWlP9GZoo8):

This vid (http://www.youtube.com/watch?v=mRfc0r4VvzM&NR=1&feature=endscreen
) has most of the Ellen Ten Damme piece plus the Ice Queen and her consort at the end with fireworks. As Ellen sings, you can see her shadow on the royal palace behind her.

There are a lot more videos surfacing on Youtube, many of them shot by people in the crowd. (http://www.youtube.com/watch?v=X7GZMT6w5lE)

The best part of this spectacle was the fact that we, the audience, found ourselves in the middle of it, becoming part of the spectacle as we scurried like rats to let these monsters pass. I found myself nervous when one of the dragons would thrust it’s big mouth my direction, as if the dragons were, in fact, real.

But they are, aren’t they?

└ Tags: Amsterdam, Barbara Bell, Carhart, Dam Square, ellen Ten Damme, Fantasmic, Graphic Sexual Horror, Rembrandt, Rijk Museum, Stacking in Rivertown, the Milkmaid, Turn On the Lights, Van Gogh Museum, Vermeer
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Toilet in Woods
Sep25

Interiors

by Barbara on September 25th, 2011 at 5:05 pm
Posted In: Barb's world - the terrain

Years ago, a mobile home burned about a mile from my house. It’s maybe twenty feet off the road, so you can’t hardly miss it. Whoever lived there – maybe they died in the fire. I don’t know. But it’s been empty ever since. Lately it’s been coming apart and not only can you see the mess outside, but you can now see the mess inside.

When I was eighteen, I left home. I’ve made some real messes since then. Some I cleaned up, some I never did. Most people can’t see the mess on the outside of me. That mess came about because of the first eighteen years of my life. People have NO IDEA about what the eighteen years did to my insides.

As I said before, the doctors say my brother has Parkinson’s Disease. I’m spending more time with him than I have in years, trying to be with him while he’s still here. Trying to be with him with all of myself, parts of which he doesn’t know, and truth be known, I’d rather nobody knew. And I’m trying to learn about the parts of him that I don’t know. But we know things about one another that no one else knows. We know the burnt out mess. My brother and I grew up in that mess. Like we were in the trenches of WWI or something. He’s younger than me. I always wanted to protect him. It’s an urge that’s deep and raw. I try to ride that urge, try to ride it till I fail. It’s tricky. It’s slippery. It comes back on me like a house on fire. It shoots me awake in the middle of the night, screaming like sirens. Because I want to protect him from Parkinson’s Disease. Good luck with that. . .

It’s lodged right here. In my bones, my liver, my gullet. Every little junked-up, nasty piece of my mess. For years I wanted to rip it out, retch it up, shred my skin and pick out the glass. But you can’t ever pick out that much glass. Besides, it’s all mixed up with loneliness, that low, booming ache that’s longer and wider than life itself. Not only that, but somebody tossed Joy right smack dab into the middle of it. Which is kind of fucked up, but what the hell, not a damn thing I can do about it. The whole stinking, wretched mess explodes into blossom all the sudden out of nowhere. Zero to infinity in the blink of an eye. I am destroyed. Each time. And each time I reassemble, but not. Never quite the same, never quite whole, never quite empty.

We are so fragile. So vulnerable. We worm through a soupy mess. Not entirely miserable, not entirely divine. On our journey to Here. To only here.

└ Tags: annihilation, Barbara Bell, Burnt out, casket, cemetery, disintegration, Dismemberment, fire, firetrucks, Graphic Sexual Horror, mobile home, phantom pains, Stacking in Rivertown, suicide
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"Monsters, Related by Birth
Aug20

Monsters, Related by Birth

by Barbara on August 20th, 2011 at 2:45 pm
Posted In: Barb's world - the terrain, The Dangers

I know I’ve been gone. I’m a rotten blogger. I don’t like to let on about where I live, the street, the house, the dark hole beneath.

I’ve started a project about language. About signifiers and symbols. About rhythm, mesmer, and immersion. About poetry, music, and the divine. Just a tiny little project. . .

And doctors have just told us that my brother has Parkinson’s disease. That what we thought was CMT and withdrawal because of depression is probably Parkinson’s, not early stage – rather late in the game. He is slowly disintegrating before my eyes. For me, this is presently beyond language.

In order to write about this, I will need years and years, miles, tons, a rainforest filled with hornbills, and night and day sifting through the junkheap. Here is a poem I wrote about my brother before I knew any of this. It begins at the end and ends near the beginning.

Monsters, Related by Birth

we touch like the blind
having learned the world by feel
you have come from beneath the bridge
where pigeons kiss your wooden arms
and the cleft-hoofed hands I dug from your grave

come to me brother!
like lovers
we know one another
by tonguing that old misery
like last year’s berry

rocking and rocking in waves, I hear
the hush of your blame
your stifled believing
and the way you break the mirrored sea
with one green hand

i remove my face and place
it to the side.
Of the flood that night I recall
the asphalt sea and the moon –
one occluded eye brooding at the beam -

and how your heart tickered the dark
and how I squeezed it rapidly
as only a child will squeeze
while the wickered sea, littered with spark
ran through and over

└ Tags: annihilation, Barbara Bell, Charcot Marie Tooth, CMT, disintegration, Fractal, monsters, Parkinson's Disease, Stacking in Rivertown
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The machine
Jul16

Corey’s Trike

by Barbara on July 16th, 2011 at 11:28 pm
Posted In: Crib in a Crack Hood, Corey's Amputation, Crib in a Crack Hood, The Dangers

Okay, so I’ve been working too much and ditched the blog. Which may continue, but what the hell.

Anyway, Corey visited a couple weeks ago with his newer leg attached, riding his brand new trike. It’s great to see him traveling – as in “going places.” And as you’ll hear, Junkgirl’s in love. That’s been well over a decade in coming. I don’t know what’s happening with the planets, but lots of people I know are either falling in or out of love – which definitely falls into “the dangers.” More on that as the Fantasmic BlitzTornado of Being rips us to pieces and spits us out. Then somehow we end up put together again – unlike Humpty Dumpty. Personally, I lean toward a Humpty Dumpty outcome.

In the meantime, here’s Corey.

└ Tags: amputation, Blitz, Chacot Marie Tooth, CMT, Corey's Amputation, disintegration, Dismemberment, dumpster, extremity, Fantasmic, Graphic Sexual Horror, nerve, phantom pains, prosthesis, Stacking in Rivertown, stump, suicide, Tornado, trike
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